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Dichotomies (Soloist w/Orchestra)

Habanera Bells (Percussion)

Couples Therapy (Voice/opera)

Hameldaeme (Chamber)

Preludes (Percussion)

 

 

 

 

 

 

Performances

May 19th

Dichotomies (piano reduction premiere)

Duo Ultima
Hafnarfjörður, Iceland

June 13th

Two Lullabies (premiere)

Hlín Pétursdóttir Behrens
Reykjavik, Iceland

June 16th

Two Lullabies 

Hlín Pétursdóttir Behrens
Egilsstaðir, Iceland

July 19th

Dichotomies (piano version)

Duo Ultima
St. Giles Cathedral
Edinburgh, Scotland

July 21st

Dichotomies
(piano vversion)

Duo Ultima
Dunblane Cathedral
Dunblane, Scotland

 

 

 

 

Blog Index
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« Vocal Music To Be Choreographed by Tulsa Modern Movement | Main | The Birthday Project- Four....Three Blake Songs/Shadow Play for Flute and Pan »
Friday
Jan102014

The Birthday Project: Shadow Play

I spent last night pondering how I can use the setup of a lead pan (for those who don't know, the notes are laid out in a circle of fifths) as a compositional starting point. I began by trying to come up with interesting scales by starting on a given pitch and skipping one note in a given direction, then two, three, etc. While I came up with is what is considered to be "standard" 20th century pitch classes (Augment/Diminished chords which can be synthesized into whole tone/octatonic collections) I now at least have a more idiomatic understanding of the pan from a composer's point of view.

Today I did a little research on youtube regarding Kotekan patterns (interlocking rhythmic patterns found in Balinese gamelan music) used in the tradition of Wayang Kulit (Balinese shadow puppet theater). I stumbled upon some cool examples that I will definitely have to play around with.